{"id":750,"date":"2016-04-27T09:00:15","date_gmt":"2016-04-27T08:00:15","guid":{"rendered":"http:\/\/www.sergiomessina.com\/moss\/?p=750"},"modified":"2021-04-05T14:50:28","modified_gmt":"2021-04-05T13:50:28","slug":"riots","status":"publish","type":"post","link":"https:\/\/www.sergiomessina.com\/moss\/riots\/","title":{"rendered":"Riots"},"content":{"rendered":"

The Robins<\/a>: Riot in Cell Block Number 9 (1954)
\n<\/strong><\/p>\n

\"Leiber

Leiber & Stoller<\/p><\/div>\n

Jerry Leiber and Mike Stoller<\/a>, perhaps the most prolific Rhythm’n’Blues and Rock’n’Roll authors of the early days (Hound Dog<\/em>, Kansas City<\/em>, Jailhouse Rock<\/em>, Stand By Me<\/em> and many more) wrote Riot in Cell Block Number 9<\/a> from the point of view of an inmate. The Robins’ version (who went #1 in the R’n’B chart) begins with sirens and gun shots:<\/p>\n

On July second, 1953, I was serving time for armed robbery.<\/em>
\n‘Bout four in the morning I was sleepin’ in my cell,<\/em>
\nI heard a whistle blow, then I heard somebody yell:<\/em>
\nThere’s a riot goin’ on, there’s a riot goin’ on, there’s a riot goin’ on up in cell block number nine.<\/em><\/p><\/blockquote>\n

The riot is furious, but in the end the law prevails.<\/p>\n

The ninety-second hour<\/em>, the tear gas got our men.<\/em>
\nWe’re all back in our cells<\/em>, but every now and then<\/em>
\nThere’s a riot goin’ on up in cell block number nine.<\/em><\/p><\/blockquote>\n

There are many cover versions of this tune. The Beach Boys reworked it for their 1971 song Student Demonstration Time<\/a>\u260a. It was also performed by Johnny Cash, Dr Feelgood<\/a>\u267e, Johnny Winter and The Blues Brothers<\/a>\u260a (because it fit perfectly with their own fiction). But, as it often happens, the original is hard to beat. It isn’t just great music: it’s a precious example of how close Soul, R’n’B, Rock’n’Roll and Jazz really were.<\/p>\n\nhttp:\/\/www.sergiomessina.com\/moss\/wp-content\/uploads\/2016\/04\/ricbn.mp3<\/a><\/audio>\n

buy from Amazon<\/a> \u2022 buy from Itunes<\/a> \u2022 play on Spotify<\/a><\/span><\/p>\n

<\/div>\n

Sly & The Family Stone: There’s a Riot Goin’ On<\/strong> (1971)<\/p>\n

\"sly\"The title track of one of the truly influential albums of the 1970s lasts zero seconds (or four, in some versions), and it consists of silence. From Wikipedia<\/a>:<\/p>\n

For many years it was speculated that this cryptic track listing and the title of the album referred to a July 27, 1970 riot in Chicago, Illinois for which Sly & the Family Stone had been blamed. The band was to play a free show in Grant Park (Chicago) but the crowd became restless before the band began and started rioting. Over a hundred people were injured, including several police officers, and the reason given to the press was that the band was late and\/or refused to perform. However in 1997 Sly Stone said that the There’s a Riot Goin’ On track had no running time simply because “I felt there should be no riots.”<\/em><\/p>\n

Youtube playlist with the full album<\/a><\/p>\n

buy album from Amazon<\/a> \u2022 buy album from Itunes<\/a> \u2022 play album on Spotify<\/a><\/span><\/p>\n

<\/div>\n

The Wailers<\/a>: Burnin’ and Lootin’<\/strong> (1973)<\/p>\n

\"wailers\"Then, of course, some people seem to have better reasons to riot:<\/p>\n

This morning I woke up in a curfew; O God, I was a prisoner, too.<\/em> Could not recognize the faces standing over me; they were all dressed in uniforms of brutality. <\/em>How many rivers do we have to cross, before we can talk to the boss?<\/em> All that we got, it seems we have lost, we must have really paid the cost.<\/em> (That’s why we gonna be) Burnin’ and lootin’ tonight.<\/em><\/p><\/blockquote>\n

But Marley being Marley, his songs always have an universal appeal. And if you’ve lost your job, you’re caught in the economic crunch or you simply feel that where you live your opinion is not considered, you can certainly use this song. Which is not a happy-go-riot tune. The second chorus goes:<\/p>\n

Weeping and wailin’ tonight (Who can stop the tears?)<\/em>
\n Weeping and wailin’ tonight (We’ve been suffering these long, long years!)<\/em>
\n Weeping and wailin’ tonight.<\/em><\/p><\/blockquote>\n

Musically, this is deep Roots Reggae at its best: physical, spiritual and political (Burnin’<\/a> is the last album with the original Wailers, Peter Tosh and Bunny Wailer). If I’ll ever riot again in my life, this will be my soundtrack of choice.<\/p>\nhttp:\/\/www.sergiomessina.com\/moss\/wp-content\/uploads\/2016\/04\/bl.mp3<\/a><\/audio>\n

buy from Amazon<\/a> \u2022 buy from Itunes<\/a> \u2022 play on Spotify<\/a><\/span><\/p>\n

<\/div>\n

Dr Dre<\/a>: The Day The Niggaz Took Over<\/strong> (1992)<\/p>\n

\"drThen, sometimes, people actually do burn and loot. It happened in Los Angeles in 1992<\/a>, just a few months prior to the release of this album, The Chronic<\/a>. Here we see the action from the inside:<\/p>\n

Let’s jump in off in Compton so I gots ta get my loot on<\/em> and come up on me some furniture or sometin’.<\/em> Got a VCR in the back of my car<\/em> that I ganked from the Slauson Swap Meet,<\/em> and motherfuckers better not try to stop me<\/em> cuz they will see that I can’t be stopped<\/em>, cuz I’ma cock my Glock and pop til they all drop.<\/em><\/p><\/blockquote>\n

The song, that features RBX, Snoop Dogg and Dat Nigga Daz (and samples of the LA uprising documentary Birth of a Nation 4x29x92<\/em>), includes many snippets of news on the riots, during which 55 people were killed and over 2,000 people were injured. It’s just one of many songs (film, video, literature, etc.)<\/a> about the biggest american racial uprise of the past 30 years.<\/p>\nhttp:\/\/www.sergiomessina.com\/moss\/wp-content\/uploads\/2016\/04\/tdtnto.mp3<\/a><\/audio>\n

buy from Amazon<\/a> \u2022 buy from Itunes<\/a> \u2022 play on Spotify<\/a><\/span><\/p>\n

<\/div>\n

MC5<\/a>: Motor City Is Burning<\/strong> (1969)<\/p>\n

\"mc5\"Detroit in the 1960s was quite a rebellious city: very industrial and racially divided, it was the scene of many riots. John Lee Hooker, a Detroit resident, wrote Motor City is Burning<\/a>\u260a in 1967, out of shock and fear:<\/p>\n

Oh, the motor city’s burnin’, it ain’t nothing in the world that I can do.<\/em>
\nWell, fire bomb fallin’ all around me and soldiers standin’ everywhere.<\/em>
\nI could hear the people screaming, sirens fill the air.<\/em>
\nI don’t know, I don’t know what the trouble is, this mornin’,<\/em>
\nI just can’t stay around to find it out. Takin’ my wife an my family<\/em>
\nAnd little Johnny Lee is clearin’ out. I just hope, people, it’ll never happen to you.<\/em><\/p><\/blockquote>\n

But then, in ’69, protopunk Detroit band MC5 included it in one of the most influential albums ever, Kick Out The Jams<\/a>. They seemed to know what the trouble was:<\/p>\n

Your mama, papa don’t know what the trouble is<\/em>
\n You see, they don’t know what it’s all about<\/em>
\n I said, your mama, papa don’t know what the trouble is, baby<\/em>
\n They just can’t see what it’s all about<\/em>
\nI get the news, read the newspapers, baby, baby?<\/em>
\n You just get out there in the street and check it out.<\/em>
\nNow, I guess it’s true, I’d just like to strike a match for freedom myself.<\/em>
\nI may be a white boy, but I can be bad, too.<\/em><\/p><\/blockquote>\nhttp:\/\/www.sergiomessina.com\/moss\/wp-content\/uploads\/2016\/04\/mcib.mp3<\/a><\/audio>\n

buy from Amazon<\/a> \u2022 buy from Itunes<\/a> \u2022 play on Spotify<\/a><\/span><\/p>\n

<\/div>\n

The Clash<\/a>: White Riot<\/strong> (1977)<\/p>\n

\"clash\"Let’s face it: riots can be sad and brutal affairs, but they can also be fun. Similarly, rebellion can be troubling for some, but for me it’s certainly a sign of healthy social dynamics. Obviously, in a problematic multi-racial society (such as the UK’s in the 70s), minorities seem to have more reason to rebel. But do they?<\/p>\n

Black people gotta lot a problems, but they don’t mind throwing a brick.<\/em>
\nWhite people go to school, where they teach you how to be thick.
\nAn’ everybody’s doing just what they’re told to, an’ nobody wants to go to jail!
\nWhite riot, I wanna riot! White riot – a riot of my own!<\/em><\/p><\/blockquote>\n

The Clash’s first single, a real punk anthem (while the band’s later material is much more sophisticated, at least musically), White Riot<\/a> is both a political and teenage song: The Beastie Boys’\u00a0(You Gotta) Fight For Your Right (To Party)<\/a>\u267e is right around the corner.<\/p>\n