HypnoHändel


This is a very good musical year for me. I’ve just finished the first version of Boleros (more infos and an excerpt here), which I submitted to the Prix Ars electronica (if you have a God, pray for me: it’d be really cool to get a Nica) and will present live in May, here in Chicago. What’s more, I’m developing a series of related pieces, using a different technique but a similar approach. I called this series Typephase, and the first piece is the answer to a question: what happens if I overlap nine copies of Händel’s La Réjouissance slightly phased? You can hear the result (remarkably Reichian, as in Steve Reich) on the Typephase page.